Teaching Resources
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By Emily H. Green, Megan Lavengood
Update: The authors acknowledge that the work to migrate courses online might simply be impossible in this situation, given that many of us are or have family in risk groups and/or have children now off from… Read More
By Esther M. Morgan-Ellis, Kristen Strandberg
When Erinn E. Knyt wrote about alternatives to the traditional research paper in her 2013 article for the Journal of Music History Pedagogy, she observed that she was “certainly not the first to address problems surrounding… Read More
By Amber R. Clifford-Napoleone
Note: This essay is the final installment in Musicology Now‘s “Teaching Music & Difference” series, which features additional essays by Jesus Ramos-Kittrell, Rebekah Moore, and Angela Glaros. Music… Read More
By Angela Glaros
By Angela Glaros Note: This essay is the third installment in Musicology Now‘s “Teaching Music & Difference” series, which features additional essays by Jesus Ramos-Kittrell, Rebekah Moore, and Amber… Read More
By Rebekah Moore
By Rebekah Moore Note: This essay is the second installment in Musicology Now‘s “Teaching Music & Difference” series, which features additional essays by Jesus Ramos-Kittrell, Angela Glaros, and Amber R. Clifford-Napoleone. Read More
By Kimberly Francis, Meagan Troop, Michael Accinno
Many music educators today grapple with this daunting question: How do we create and foster accessible teaching and learning experiences? By “accessible” we are referring to approaches that address learner variability by providing multiple opportunities and options for those with sensory, mobility, cognitive, and… Read More
By Jesús A. Ramos-Kittrell
Note: This essay is the first installment in Musicology Now‘s “Teaching Music & Difference” series, which features additional essays by Rebekah Moore, Angela Glaros, and Amber R. Clifford-Napoleone. The well-meaning comments I received… Read More